The Cathedral Church of Christ, situated along the historic Marina on Lagos Island, stands as one of Nigeria’s oldest and most distinguished Anglican institutions. Since its consecration in 1923, its choir has grown into a respected musical body known for its disciplined sound, devotional focus, and commitment to Anglican liturgical worship. Though Anglican musical activity existed in Lagos before the cathedral era, the Cathedral Choir’s documented development becomes clear from the early twentieth century, when the church transitioned from parish life into its cathedral identity.
Early Roots of Anglican Choral Tradition in Lagos
Anglican worship arrived in Lagos in the nineteenth century through the work of the Church Missionary Society. Mission churches across the city maintained small choirs that led hymns, chants, and congregational singing. These groups formed the cultural environment out of which later cathedral music would emerge. Although these early choirs provided training and nurtured local musicianship, today’s Cathedral Choir is institutionally associated with the cathedral from the time of its consecration.
One prominent figure connected to this wider musical tradition was Robert Coker, an early Lagos church musician known for his contributions to Anglican music in the late nineteenth and early twentieth centuries. His involvement reflected the growing influence of indigenous musicians in shaping church musical life, even though his direct administrative connection to the Cathedral Choir itself is not formally documented.
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The Cathedral Era Begins, 1923
The dedication of the Cathedral Church of Christ in 1923 marked a new chapter in the city’s religious and cultural history. As a cathedral, the church adopted the fuller responsibilities of Anglican ceremonial life. These responsibilities required a disciplined choir capable of performing structured liturgical music, festival anthems, and compositions associated with major Christian observances.
In the decades that followed, the Cathedral Choir adapted to these expectations by strengthening its rehearsal culture, building vocal balance across soprano, alto, tenor, and bass parts, and upholding the ceremonial dignity associated with cathedral worship. The choir quickly became an integral part of the spiritual rhythm of the church’s services.
Mid-Century Documentation and Musical Growth
One of the most striking visual records of the choir’s mid-century activity is a 1948 photograph taken inside the cathedral. The image shows choristers robed and processing through the nave in preparation for singing “Unto Us a Child Is Born,” a popular piece of sacred music. This photograph, preserved in a major African studies collection, provides clear evidence of the choir’s established organisation and ceremonial presence during this period.
Through the 1950s, 1960s, and 1970s, the Cathedral Choir expanded its repertoire and deepened its musical identity. While remaining faithful to Anglican tradition, the choir blended hymns, psalm chants, classical works, and seasonal anthems to enrich the worship experience of the congregation. Its musical discipline became one of the defining features of cathedral life, particularly during Christmas, Easter, and major diocesan celebrations.
A Modern Turning Point: Leadership in the 1990s
A significant milestone in the cathedral’s musical history occurred with the appointment of Mrs Tolu Obajimi as Organist and Master of the Music on 1 January 1993. Her appointment represented an important moment in Nigerian cathedral music, as she became one of the earliest women to hold such a senior position in an Anglican cathedral in the country.
Her leadership brought renewed structure to the choir and expanded its musical visibility. Known for her skill at the organ, her dedication to rehearsal discipline, and her commitment to developing young choristers, she contributed greatly to both the stability and the artistic growth of the ensemble. Her work also inspired many younger musicians who encountered cathedral music for the first time through her guidance.
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The Choir Today
Today, the Cathedral Church of Christ Choir continues to uphold the traditions that have shaped its legacy for more than a century. Membership naturally grows and changes over time, yet the ensemble maintains a balanced SATB structure that supports both traditional worship and festival performances. Younger choristers receive training that prepares them for long-term musical service, ensuring that the choir remains rooted in continuity.
The choir’s role extends beyond musical performance. It helps define the atmosphere of worship, supports the rhythm of the Anglican liturgical year, and preserves the rich ceremonial character of cathedral worship. Its voice remains central to the identity of one of Nigeria’s most historic churches.
Author’s Note
This historical narrative reflects the documented development of the Cathedral Church of Christ Choir, presenting its evolution from early Anglican musical practices in Lagos to its modern role as a leading cathedral ensemble. The story highlights the significance of tradition, leadership, and community in shaping a choir that continues to enrich worship for generations.
References
Cathedral Church of Christ, Marina Lagos, historical publications
Mid-century photographic records from recognised African studies collections
Archival summaries on Anglican church music in Lagos
