Ere Ìbejì: The Sacred Twin Figures of the Igbomina Yoruba

Celebrating Twin Births Through Yoruba Art and Ritual

Among the Yoruba people of southwestern Nigeria, twins hold extraordinary cultural and spiritual significance. Nigeria has one of the highest rates of twin births in the world, and this has profoundly influenced Yoruba social life, religious practice, and artistic expression. Central to this cultural practice are ere Ìbejì, wooden figures carved to represent twins, particularly those who have died in infancy, serving as both spiritual mediators and family memorials.

These figures are not mere objects of decoration, they are cared for as living members of the household, forming a crucial link between the physical and spiritual worlds. In the Igbomina region, which occupies parts of present-day Kwara and Osun states, these figures exhibit distinct artistic characteristics that reflect local aesthetic traditions and cosmological beliefs.

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The Significance of Twins in Yoruba Culture

Twins, in Yoruba cosmology, are considered spiritually potent and capable of bringing both blessings and challenges to their families. The birth of twins is celebrated with specific naming conventions and ritual ceremonies. The Yoruba believe that when a twin dies, the spirit remains present and requires proper care to prevent misfortune.

This belief led to the practice of commissioning ere Ìbejì figures, which embody the deceased twin’s spirit. Families maintain these figures by washing, feeding, clothing, and adorning them with beads, cowrie shells, or cloth, ensuring that the spirit continues to interact harmoniously with the living. These rituals reinforce maternal devotion, family cohesion, and spiritual balance, reflecting the Yoruba understanding that life and death are interconnected rather than separate.

Origins and Ritual Function of Ere Ìbejì

The tradition of ere Ìbejì predates European contact, with documented practice from at least the eighteenth century. These figures were created primarily when one twin died, allowing the surviving twin and the family to maintain spiritual equilibrium.

Carvers, trained in local apprenticeship systems, produce these figures from hardwoods such as iroko or apa, selected for durability and symbolic significance. The figures are typically small, ranging from twenty to thirty centimetres in height, and are often depicted in adult form, reflecting Yoruba artistic conventions that represent deceased children as fully formed individuals.

Igbomina Style and Artistic Characteristics

The Igbomina subgroup, especially in the Oro region, developed a distinct style for ere Ìbejì. These figures are slightly taller and more slender than other Yoruba twin figures, with elongated heads symbolising the importance of the ori, or spiritual head. Facial features are typically calm and symmetrical, with almond-shaped eyes, straight noses, and scarification marks that denote identity and beauty according to local norms.

Hairstyles are intricately carved, often representing the fashions of the time, and the figures may be adorned with beads, cowrie shells, or cloth during rituals. Over time, handling, the application of oils, camwood, and indigo creates a darkened patina, signifying sustained devotional care. These stylistic features make Igbomina figures both culturally significant and visually distinctive.

Social and Ritual Practices

The care of ere Ìbejì is primarily the responsibility of the mother or primary caregiver. Daily rituals may include washing, dressing, feeding, and conversing with the figures. Such practices not only maintain the spiritual balance but also reinforce maternal identity, familial responsibility, and community recognition of the twin’s significance.

In addition, ere Ìbejì figures serve as cultural symbols, often featuring in local festivals and family ceremonies, highlighting the twins’ importance in Yoruba social and spiritual life. The rituals surrounding these figures are highly codified, ensuring that the deceased twin continues to contribute positively to family welfare.

Ere Ìbejì and Museum Collections

Many ere Ìbejì figures, particularly from the Igbomina subgroup, are now housed in international museums, including the British Museum and The Metropolitan Museum of Art. These collections document the figures’ stylistic variations, ritual importance, and craftsmanship, providing insight into Yoruba material culture.

While museum acquisition has preserved these figures for study and public viewing, the continued use of ere Ìbejì in Yoruba households ensures that the tradition remains alive and meaningful in its original spiritual context.

Contemporary Relevance

Today, ere Ìbejì figures continue to be central to Yoruba ritual life, though some families adapt practices using modern materials or commemorative photographs. In art and cultural discourse, these figures are celebrated as symbols of identity, memory, and resilience, inspiring contemporary Nigerian artists who explore themes of childhood, family, and spiritual continuity.

The figures’ enduring presence demonstrates the Yoruba commitment to preserving their intangible heritage, providing a tangible link between past traditions and modern cultural expression.

Ere Ìbejì figures of the Igbomina Yoruba represent a unique fusion of art, spirituality, and family life. They reflect the Yoruba belief in the ongoing presence of twin spirits, the importance of maternal care, and the aesthetic sensibilities of the Igbomina region. The figures are both sacred objects and works of art, maintaining a vital role in household rituals and inspiring appreciation for Yoruba material culture worldwide.

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Author’s Note

This article presents the enduring significance of ere Ìbejì figures in Yoruba culture, focusing on the Igbomina tradition. These twin figures are not only artistic masterpieces but also ritual objects that ensure spiritual balance, preserve family memory, and reinforce social cohesion. Readers can appreciate the figures as symbols of Yoruba cosmology, maternal devotion, and cultural continuity, illustrating the power of art to preserve identity and heritage across generations.

References

  1. Arts of Africa: Twin Commemorative Figures (ere Ìbejì): Metropolitan Museum of Art
  2. Igbomina ere Ìbejì Stylistic Analysis: Ibeji.fr
  3. Yoruba Ìbejì Figure: British Museum Catalogue
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Gloria Olaoye A Nigerian Historian.
Gloria Taiwo Olaoye is a Nigerian historian whose work explores the complexities of the nation’s past with depth and clarity. She examines power, memory, identity, and everyday life across different eras, treating history not only as a record of events but as a tool for understanding, reclaiming, and shaping Nigeria’s future. Through her research and writing, she seeks to make history accessible, relevant, and transformative for a new generation.

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